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Dick Hyman
Dick Hyman (Eugene, Oregon, 2005)
Background information
Birth name	Richard Hyman
Born	(1927-03-08) March 8, 1927 (age 92) New York, New York, U.S.
Genres	Jazz, swing, lounge, stride piano
Occupation(s)	Musician, composer
Instruments	Piano
Website	www.dickhyman.com

Richard Hyman (born March 8, 1927) is an American jazz pianist and composer. Over a 60-year career, he has functioned as a pianist, organist, arranger, music director, electronic musician, and, increasingly, as a composer. He was named a National Endowment for the Arts Jazz Masters fellow in 2017.^[1]

Early life

Hyman was born in New York City, to Joseph C. Hyman and Lee Roven. He was trained classically by his mother's brother, the concert pianist Anton Rovinsky, a fixture of the pre-war art scene in New York, noted for having premiered some of Charles Ives's works, such as The Celestial Railroad in 1928.^[2] Hyman said of Rovinsky, "He was my most important teacher. I learned touch from him and a certain amount of repertoire, especially Beethoven. On my own I pursued Chopin. I loved his ability to take a melody and embellish it in different arbitrary ways, which is exactly what we do in jazz. Chopin would have been a terrific jazz pianist! His waltzes are in my improvising to this day."^[2][3] Dick's older brother, Arthur, introduced him to the music of Bix Beiderbecke, Louis Armstrong, Teddy Wilson, and others. By high school, he was playing in dance bands throughout Westchester County.

Hyman completed his freshman year at Columbia University, and in June 1945, he enlisted in the Navy as a radio technician but transferred quickly to the band department. When he returned to Columbia, he won an on-air piano competition, earning him 12 free lessons with Teddy Wilson, the Swing Era pianist who a decade earlier had broken the race barrier as a member of the Benny Goodman Trio. A few years later, Hyman himself became Goodman's pianist.^[4]

Jazz

While developing a facility for improvisation in his own piano style, Hyman has also investigated ragtime and the earliest periods of jazz and has researched and recorded the piano music of Scott Joplin, Jelly Roll Morton, James P. Johnson, Zez Confrey, Eubie Blake and Fats Waller, which he often features in his frequent recitals. Hyman recorded two honky tonk piano albums under the pseudonym "Knuckles O'Toole", and included two original compositions,^[5] and recorded more as "Willie the Rock Knox" and "Slugger Ryan".^[6] In 1952, he played with Charlie Parker on the only television appearance Parker ever made; the band included Dizzy Gillespie and played Hot House.

In the 1960s, he was regularly seen on NBC-TV's weekly musical series Sing Along with Mitch. More solo recordings included the music of Irving Berlin, Harold Arlen, Cole Porter, George Gershwin, and Duke Ellington. He recorded as a member of the Dick Hyman Trio, including a 45 rpm hit called 'Moritat - A Theme from The Threepenny Opera' (aka 'Mack the Knife') b/w 'Baubles, Bangles and Beads' for M-G-M Records in 1955.^[7] During the 1970s and thereafter, he was a member of Soprano Summit.^{[citation needed]}

Hyman served as artistic director for the Jazz in July series at New York's 92nd Street Y for twenty years, a post from which he stepped down in 2004. (He was succeeded in that post by his third cousin, Bill Charlap, a jazz pianist.) Hyman later became a music director for another festival, The Shedd Institute's Oregon Festival of American Music. In 1995, he was inducted into the Jazz Hall of Fame of the Rutgers Institute of Jazz Studies and the New Jersey Jazz Society.

Hyman had an extensive career in New York as a studio musician and won seven Most Valuable Player Awards from the National Academy of Recording Arts and Sciences. He acted as music director for such television programs as Benny Goodman's final appearance (on PBS) and for In Performance at the White House, during the George Bush and Bill Clinton administrations. For five years (1969–1974), he was the in-studio organist for the stunt game show Beat the Clock. He received an Emmy Award for his original score for Sunshine's on the Way, a daytime drama, and another for musical direction of a PBS Special on Eubie Blake. He was a frequent guest performer with The Jim Cullum Jazz Band on the long-running public radio series Riverwalk Jazz, and has been heard on Terry Gross' Fresh Air. He also collaborated with Ruby Braff extensively on recordings at Arbors Records. His own recordings, often solo on piano or organ, have appeared on labels such as Arbors, Cadence, Chiaroscuro, Classic Editions, Columbia, Command, Everest, MGM, Monmouth-Evergreen, Musical Heritage, New World, Project 3, Proscenium, Reference, Sine Qua Non, Smithsonian, RCA Victor and Unison..^{[citation needed]}

Dick Hyman's Century of Jazz Piano, an encyclopedic series of solo performances, has been released on Arbors Records. Other newer recordings include several with Ken Peplowski, a frequent partner.

Film work

Hyman has served as composer/arranger/conductor/pianist for the Woody Allen films Zelig, The Purple Rose of Cairo, Broadway Danny Rose, Stardust Memories, Hannah and Her Sisters, Radio Days, Bullets Over Broadway, Everyone Says I Love You, Sweet and Lowdown, The Curse of the Jade Scorpion and Melinda and Melinda. He was also the music coordinator, arranger, and conductor for Allen's multi-Oscar-winning Mighty Aphrodite, which featured the Dick Hyman Orchestra and Chorus.^{[citation needed]}

His other film scores include Moonstruck, Scott Joplin, The Lemon Sisters and Alan and Naomi. His music has also been heard in Mask, Billy Bathgate, Two Weeks Notice, and other films. He was music director of The Movie Music of Woody Allen, which premiered at the Hollywood Bowl.^[8]

Dance

Hyman composed and performed the score for the Cleveland/San Jose Ballet Company's Piano Man, and Twyla Tharp's The Bum's Rush for the American Ballet Theatre. He was the pianist/conductor/arranger in Tharp's Eight Jelly Rolls, Baker's Dozen, and The Bix Pieces and similarly arranged and performed for Miles Davis: Porgy and Bess, a choreographed production of the Dance Theater of Dallas. In 2007, his Adventures of Tom Sawyer, which had been commissioned by the John G. Shedd Institute for the Arts, and set by Toni Pimble of the Eugene Ballet, premiered in Eugene, Oregon.

Electronic pop

In the 1960s, Hyman recorded several pop albums on Enoch Light's Command Records. At first, he used the Lowrey organ, on the albums Electrodynamics (US No. 117), Fabulous (US No. 132), Keyboard Kaleidoscope and The Man from O.R.G.A.N. He later recorded several albums on the Moog synthesizer which mixed original compositions and cover versions, including Moog: The Electric Eclectics of Dick Hyman(Can No. 35),^[9] and The Age of Electronicus (US No. 110).

The track "The Minotaur" from the aforementioned 1969 album...The Electric Eclectics... charted in the US top 40 (US R&B Singles No. 27; Hot 100 No. 38),^[10] (No. 20 Canada) becoming the first Moog single hit (although, as originally released on 45, it was labeled as the B-side to the shorter "Topless Dancers of Corfu"). Some elements from the track "The Moog and Me" (most notably the whistle that serves as the song's lead-in) on the same album were sampled by Beck for the track "Sissyneck" on his 1996 album Odelay.

Selected discography

As leader/co-leader

Piano Portraits series

• 1953 - Noël Coward: A Piano Portrait^[61]


• 1953 - Kurt Weill: A Piano Portrait
  


• 1953 - Vernon Duke: A Piano Portrait^[62]

As sideman

With Howard Alden

• 
  Howard Alden Plays the Music of Harry Reser (Stomp Off, 1989)

With Louis Bellson and Gene Krupa

• 
  The Mighty Two (Roulette, 1963)

With Ruby Braff

• 
  You Brought a New Kind of Love (Arbors)

With Ruth Brown

• 
  Miss Rhythm (Atlantic, 1959)

With Evan Christopher

• 
  Delta Bound featuring Dick Hyman (Arbors)

With Don Elliott and Rusty Dedrick

• 
  Counterpoint for Six Valves (Riverside, 1955–56)

With Major Holley and Slam Stewart

• 
  Shut Yo' Mouth! (1981)

With J. J. Johnson

• 
  Goodies (RCA Victor, 1965)

With Mundell Lowe

• 
  The Mundell Lowe Quartet (Riverside, 1955)

With Mark Murphy

• 
  That's How I Love the Blues! (Riverside, 1962)

With Bette Midler

• 
  Songs for the New Depression (Atlantic, 1976)

With Toots Thielemans

• 
  The Whistler and His Guitar (Metronome, 1962)

With Bob Wilber and Kenny Davern

• 
  Summit Reunion (Chiaroscuro, 1989)


• 
  Summit Reunion 2 (Chiaroscuro, 1992)

As arranger

With Count Basie

• 
  The Board of Directors (Dot, 1967) with The Mills Brothers
  


• 
  How About This (Paramount, 1968) with Kay Starr
  

With Trigger Alpert

• 
  Trigger Happy! (Riverside, 1956)

With Flip Phillips

• 
  Try a Little Tenderness (Chiaroscuro, 1993)

References

External links

• radio interview with Doug Miles WSLR


• 
  Dick Hyman on IMDb


• Dick Hyman Interview - NAMM Oral History Library (2006)


• 
  Dick Hyman at AllMusic