mjhjmtu

Jorma Kaukonen
Kaukonen performing at the Crossroads Guitar Festival.
Background information
Birth name	Jorma Ludwik Kaukonen, Jr.
Born	(1940-12-23) December 23, 1940 (age 77) Washington, D.C., U.S.
Genres	Rock blues folk psychedelic rock
Occupation(s)	Musician songwriter
Instruments	Guitar vocals
Years active	1964–present
Labels	Relix RCA Grunt Red House Atlantic Virgin
Associated acts	Jefferson Airplane Hot Tuna Michael Falzarano
Website	jormakaukonen.com

Jorma Ludwik Kaukonen, Jr. (/ˈjɔːrmə ˈkaʊkənɛn/; YOR-mə KOW-kə-nen;^[2] born December 23, 1940) is an American blues, folk, and rock guitarist.^[3][4][5] Kaukonen performed with Jefferson Airplane and Hot Tuna. Rolling Stone magazine ranked him #54 on its list of 100 Greatest Guitarists.^[6]

Biography

Jorma Kaukonen was born in Washington, DC to Beatrice Love (née Levine) and Jorma Ludwig Kaukonen, Sr.^[7][8] He had Finnish paternal grandparents and Russian Jewish ancestry on his mother's side.^[9] During his childhood, Jorma's family lived in Pakistan, the Philippines and other locales as he followed his father's State Department career from assignment to assignment before returning to the place of his birth. As a teenager in Washington, he and friend Jack Casady formed a band called The Triumphs, with Kaukonen on rhythm guitar and Casady on lead.^[10]

Kaukonen departed Washington for studies at Antioch College, where friend Ian Buchanan taught him fingerstyle guitar playing. Buchanan also introduced Kaukonen to the music of Reverend Gary Davis, whose songs have remained important parts of Kaukonen's repertoire throughout his career.^[11]

In 1962, Kaukonen moved to the San Francisco Bay Area and enrolled at Santa Clara University. During this time, he taught guitar lessons at Benner Music Company in San Jose. He played as a solo act in coffee houses and accompanied Janis Joplin on acoustic guitar on the historic 1964 recording known as "The Typewriter Tapes" because of the obtrusive sound of Kaukonen's first wife, Margareta, typing in the background.^[12]

Jefferson Airplane

In 1965, friend and classmate Paul Kantner invited Kaukonen to join a rock band he was forming with Marty Balin. As a self-described blues purist, Kaukonen was initially reluctant, but found his imagination excited by the arsenal of effects available to electric guitar, later remarking that he was "sucked in by technology." With the group still looking for a name, Kaukonen suggested the name Jefferson Airplane, inspired by an eccentric friend who had given his dog the name "Blind Lemon Jefferson Airplane."^[13] When their original bass player was fired, Kaukonen recommended his friend Jack Casady (who still lived in Washington D.C. at the time) as a replacement.

Though never a prolific singer or songwriter during his Airplane tenure, Kaukonen contributed material to each of the group's albums; Most notably, the instrumental "Embryonic Journey," an arrangement of "Good Shepherd," "Third Week in the Chelsea" (which detailed his feelings about the disintegration of the band) and "Trial by Fire"—all of which he continues to play.

Hot Tuna

Hot Tuna at MerleFest, 2006. Left to right: Jack Casady, Jorma Kaukonen, and Barry Mitterhoff

In 1969–70, Kaukonen and Jack Casady formed Hot Tuna, a spinoff group that allowed them to play as long as they liked. An early incarnation of Hot Tuna included Jefferson Airplane vocalist Marty Balin and featured Joey Covington on drums and vocals. This grouping came to an end after an unsuccessful recording jaunt to Jamaica, the sessions of which have never been released. Pared down to Kaukonen and Casady, Hot Tuna lived on as a vehicle for Kaukonen to show off his Piedmont-style acoustic blues fingerpicking skills. The self-titled first album was all acoustic and recorded live. With the dissolution of Jefferson Airplane in 1972, Hot Tuna went electric, with Airplane fiddler Papa John Creach joining for the next two albums. Hot Tuna scored an FM hit with "Ja Da (Keep on Truckin')" from their third (and first studio) album, Burgers. At this time, Kaukonen's songwriting began to dominate, as further evidenced by the next album, The Phosphorescent Rat, which featured only one cover song.

Beginning with their fifth album, America's Choice (1974), the addition of drummer Bob Steeler encouraged a rise in volume and a change of band personality —a rampaging, Cream-like rock with often quasimystical lyrics by Kaukonen. During this period, the power trio was known for its very long live sets and instrumental jamming. Hot Tuna toured vigorously throughout the 1970s in both the United States and Europe, but with Hot Tuna's break up in 1978, the first phase of the band's career ended. Casady left to form the new wave band SVT, while Kaukonen played as a solo act at venues that had been booked for Hot Tuna's cancelled 1978 tour.

Solo

Kaukonen began his solo career several years prior to the breakup, when he recorded the 1974 album Quah. Produced by Jack Casady, Quah featured string overdubs on some tracks, as well as several tracks written and sung by Kaukonen's friend Tom Hobson. The opening track "Genesis" is featured in the films Margot at the Wedding (2007) and Transcendence (2014).^[14] The album's cover is on display at Donkey Coffee and Espresso, a coffee shop in Athens, Ohio.

In 1979, Kaukonen released his second solo album, Jorma. Later that year, he began touring with a number of bass/drum combinations (first known as "Hidden Klitz", then as "White Gland", and finally as "Vital Parts"), which initially included Hot Tuna drummer Bob Steeler. During this time, he experimented with a new image, with short, dyed hair and extensive tattoos adorning his body, back, and arms. He recorded the album Barbeque King which was released in 1980. Kaukonen's traditional fan base did not warm to this new, perceived to be "punk" image, and sales of the album were so disappointing that Jorma was soon dropped from RCA Records.

He continued playing as a solo artist throughout the 1980s at such venues as The Chestnut Cabaret in Philadelphia, The Capitol Theater in Passaic, New Jersey, and in Port Chester, New York. As in his Hot Tuna days, he played very long sets, usually beginning with an hour-long acoustic set followed by a long intermission and then a two-hour electric set, sometimes accompanied by bass and drums. Having briefly reformed for a tour in 1983 that closed with a farewell show at Jonathan Swift's in Cambridge, Massachusetts, on 12/30/1983, Hot Tuna again reformed in the late 1980s. At a 1988 Hot Tuna performance at The Fillmore, Kaukonen surprised fellow Airplane alumnus Paul Kantner, who was sitting in, with a surprise appearance by his estranged lover Grace Slick; the success of this performance helped to pave the way for a Jefferson Airplane reunion tour and record in 1989.

In 1984, Kaukonen appeared on Robert Hunter's Amagamalin Street. This was the third album released by Relix Records, a label, founded by Les Kippel, that specialized in bands from the San Francisco Bay Area. Relix also released Splashdown, featuring a rare performance by Hot Tuna on WQIV, a now-defunct radio station in New York. Kippel was instrumental in reuniting Kaukonen and Casady in 1985 for a Hot Tuna theater tour. Relix Records remained Hot Tuna's record label until 2000, and also released Classic Hot Tuna Acoustic, Classic Hot Tuna Electric, Live at Sweetwater, and Live at Sweetwater Two.

In 1985, Kaukonen performed with the band There Goes the Neighborhood with Jaco Pastorius (bass), Doug McClean (harmonica), Whitie Melvin (percussion), Ben Prevo (guitar), and Rashied Ali (congas).

In 1993, he collaborated with ex-Grateful Dead keyboardist Tom Constanten in recording numerous arrangements of "Embryonic Journey." The resulting tracks were released as Embryonic Journey, the album, in 1994 on the Relix label. In 1999, he played several gigs with Phil Lesh and Friends. In 2000, he appeared with jam band Widespread Panic during their summer tour. His 2002 album Blue Country Heart was nominated for a Grammy Award.

With his wife Vanessa, Kaukonen currently owns and operates the Fur Peace Ranch, a 119-acre (0.48 km²) music and guitar camp in the hills of southeast Ohio, north of Pomeroy, complete with a 32 track studio.^[15] He is currently under contract as a solo artist to Red House Records and still records and tours with Jack Casady and other friends such as Barry Mitterhoff as Hot Tuna.

On August 28, 2018, St. Martin's Press published Kaukonen's autobiography, Been So Long: My Life and Music.^[16]

Personal Life

Jorma married his first wife, Lena "Margareta" (née Pettersson; September 23, 1943-December 28, 1997) in January 1964. They divorced in 1983. Jorma met his 2nd wife, Vanessa, in Key West, Florida, on July 3rd, 1988. They married on December 7th of that year. He has a son, Zachary (born September 6, 1997) whose mother is Stephanie, and an adopted daughter, Izze.^[17]

Equipment

As a member of Jefferson Airplane, Kaukonen's primary guitar was a Gibson ES-345, noted for the visible Varitone dial on the guitar and the signature 345 logo on the headstock. Kaukonen presently endorses Martin Guitars. In 2010, Martin Guitars released the Martin M-30 Jorma Kaukonen Custom Artist Edition.^[1] This guitar was designed by Kaukonen and Martin's Dick Boak, ^[18] using ideas from two Martin guitars that he had previously been playing – a David Bromberg Custom Artist Edition and a prototype model that Kaukonen called an "M-5."^[19]

Epiphone released a Jorma Kaukonen signature model Riviera guitar in 2002.^[20] Kaukonen also uses and endorses the Fishman Loudbox amp.

Discography

References

External links

Wikimedia Commons has media related to Jorma Kaukonen.

• Jorma Kaukonen website


• Fur Peace Ranch website


• Jorma searches for his Jewish Soul


• List of Authorized links from Jormakaukonen.com


• Got a Revolution: Jefferson Airplane biography by Jeff Tamarkin


• Bob Wyman.com – Source for a live recording of Jorma Kaukonen c. 1962


• Jorma Kaukonen discography at the Grateful Dead Family Discography


• 
  Jorma's Journey (focuses on his years at Santa Clara University)


• 
  Jorma Kaukonen interviewed on the Pop Chronicles (1969)


• 
  NAMM Oral History Interview February 1, 2014.